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When the Department of Pathology of the Radboud University Nijmegen Medical Centre in The Netherlands moved from its old to its new premises, the demolition of the marble post-mortem tables was impending, taking with it the Department's (physical) memory. To keep the importance of this memory and of the post-mortem itself on everyone's minds in the new building, the artist Piet Hein Eek was invited to incorporate these post-mortem tables into a work of art. This became a triptych: the three post-mortem tables were stood upright against the wall behind a mounted double sheet of glass, containing screen prints of enlarged microscopic images. The two emblems of pathology–post-mortem tables and double glass slides containing specimens–were thus united into a fascinating work of art: a true memento of the post-mortem, re-embedded in the contemporary world by its design. Copyright © 2008 Pathological Society of Great Britain and Ireland. Published by John Wiley & Sons, Ltd.