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Editorial
Introduction. Fifteen years of 1950s cinema1
Signoret's star persona and redressing the costume cinema
‘Neither charm nor sex appeal…’ Just what is the appeal of Simone Signoret?
Dora the image-maker and Henri-Georges Clouzot's Quai des orfèvres
The art of borrowing
Gabin, Grisbi and 1950s France
The star as the ‘great man’ in French cinema